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I particularly liked how the morthagi weren't depicted as evil, just axiomatic, and the choice to become a morthagi as a legitimate one rather than inherently bad just because they aren't human.

The Enduring War: I love a good existential horror theme.

In the final battle, the father did what his ancestors never could by dealing the last 10 damage through his death, leaving his daughter to carry on his legacy. The rivalry between the two starting warriors, the regret of the parental figure, and the horrible realisation of the generational lie were all really effective.

I liked the drauven characters more than my heroes, and even then, the hero stories were done so well.

Making decisions for the drauven that affected what I had to deal with on the overworld and also influenced the relationships between the key players in the drauven army filled me with delight. All the Bones of Summer: By far the most engaging campaign out of the bunch.